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The original version of FruityLoops (FL, for short) was developed for Image Line by Didier Dambrin in 1997. It was officially released a year later while it was still, reportedly, essentially only a MIDI drum machine.
FL Studio has worked on Windows very well for a long time. It had a very fluid interface with very nice graphics (and still does, even more so). Historically, FL Studio was pretty adamant that there wouldn’t be a Mac version of FL Studio, mostly due to the coding language’s incompatibility. Well, they’ve done a 360 and now they have one. Dec 13, 2020 Studio Devil British Valve Custom is a FREE guitar amp modeling and audio effects plug-in for use with VST, Audio Units, and Pro Tools RTAS compatible hosts running on both Mac and Windows platforms. British High-Gain Amp emulation based on Marshall ® stack! Power Amp Drive Controlto adjust natural power amp compression. Load the VST plugin in FL Studio 20. Finally, you need to load the plugin in FL Studio to actually begin using it in your tracks. Navigate back up to the “Add” section of the menu bar. Within the drop-down list of plugins, you should now see your chosen plugin. Simply click your plugin, and it will load into the FL Studio interface. Get a free, non-time restricted version of FL Studio from the Image Line download page and try the software out for as long as you like. The trial version is a complete version of FL Studio 20, and, albeit with some crucial limitations, you’ll have access to all of the plug-ins and features we talked about here.
Now, for those of who-who are awake and preferably sitting the right way, a MIDI drum machine is an electronic tool that creates percussion and rhythms. Drum machines create artificial percussion lines digitally in the absence of an actual drummer, and modern versions can create interesting-sounding and unique mixes on the fly.
Most drum machines even allow users to program their own types of types of rhythms - slow, fast, medium, staccato, etc. - as well as other sounds or prerecorded samples can. These machines significantly influenced the music of the 1980’s and popular artist such as Peter Gabriel, Fleetwood Mac, Prince, and Stevie Wonder have reportedly used them.
Drum Machines, DAWs, and, Finally, FL Studio for Mac
The drum machine soon evolved to become a software version that could be downloaded for home and personal computer, but, before it could get there, the technology had to undergo one more transformation. The digital audio workstation (DAW) is an electronic device used for recording sound, editing it, and producing complex audio files. Essentially it is a computer and soundboard the is pre-programmed with sound manipulating software.
More advanced than a drum machine, DAWs could be rolled out in a number of configurations, but most had a central sound interface and mixing station attached to the core percussion unit. The idea, of course, was that all of the sound recording and post-production work could take place all in one machine.
Today, DAW hardware is still used in professional studios for the production and recording of music, speech, pre-recorded radio, books-on-tape, and television. But, for the home user, DJ, and casual musician a DAW usually refers to computer software for laptops, PCs, Macs, and even mobile devices, with FL Studio being one of the most well-known.
FL Studio, though, has undergone a number of updates since its introduction 20 years ago, and, on]Ma 22nd of this year it even introduced a native MacOS-compatible version. FL Studio 20 includes many items that the Mac Beta version did not, including support for time signatures, freezing for clips (to allow for processing in the background), new recording options, a smoother workflow, and the ability to have more than one project going at a time.
This long-awaited release came after the application made is original Mac-friendly debut in 2013. But, at that time, the reception was cool at best, reportedly due to errors in the programing language, Delphi, which needed to be completely overhauld to support the 64-bit MacOS running environment.
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The upshot, though, was that, after the long wait, your FL Studio license would cover the software versions for both your Mac and Windows machines. Moreover, if you owned a license for the PC variety, you could download the Mac version for no additional charge, and projects were now completely compatible with both operating systems, despite third-party add-ons.
You can get the most basic “fruity” version of FL Studio for Mac or PC for $99 on the company’s website, while the pimped out, full version goes for $899 and includes all of the instruments, a boatload of plug-ins, and music samples galore.
Offering the ability to effortlessly migrate projects between PC and Mac with one license is no paltry thing, and it only improves what was an already intuitive and easy to use editing layout. Plus, the list of features tops what you would find in many DAWS that cost twice as much. So, let’s have a closer look at what FL Studio for Mac really offers.
- Time signatures support.
- Adjust the number of measures in a bar for proper viewing.
- Clip consolidation for easy viewing
- Playlist arrangements and menu for multiple projects.
- Picker panel with queued up audio clips.
- Plugin delay compensation to help support mixer sends.
- New and Improved mixer menu with FX slots
- Continuous adjustment while you roll the mouse wheel over the time icon or latency display.
- Updated Toolbar
- Graph Editor displays note velocity, pitch, pan, etc.
- Sampler Channels offer precomputed effects on the fly.
Clearly, version 20 is a beast of an update regardless of the fact that the software now offers support for MacOS. And, with support is for both VST and AU plugins as well as third-party plugins, the Mac version is as robust as the legacy version, but you will also get Image-Lines's lifetime updates plan, which, in an of itself, might be a sound reason to jump aboard the fruity loops bandwagon.
Now, as if all of those reasons were not enough to convince you to download FL Studio for Mac, the fact that you can download it for free might just seal the deal. That’s right! Get a free, non-time restricted version of FL Studio from the Image Line download page and try the software out for as long as you like.
The trial version is a complete version of FL Studio 20, and, albeit with some crucial limitations, you’ll have access to all of the plug-ins and features we talked about here. Plus, when you do decide to buy, there is no need to reinstall. Simply download the registration code, and, boom, you are in.
FL Studio Plug-Ins and Third Party Software
Much like Mac’s proprietary Final Cut, when you purchase FL Studio for Mac, you’ll have access to many plug-ins and the option to download and install a vast array of third-party software. Of course, you can buy many of these a la carte off from the Image Line website, but let's take a look at a few in order to see what you are actually getting when you buy the premium version of FL Studio for Mac.
- FX Bundle
- Gol’s Bundle
- Maxx Bundle
- Synth Bundle
- Value Bundle
Keep in mind that Image line is offering FL Studio with all bundles for $899.00, while they estimate the value of their software bundles to be at $707.50. If you factor in a lifetime of updates, you are in for deep discounts indeed, although, curiously, we noted that if you buy the 99 dollar version and then add in the $708 dollars (rounding up) of plug-ins afterward, it will only cost $808.
We guess that may be where the audio recording feature comes in? Nevertheless, there still seems to be some added value there, and, plus the addition of third-party software makes the FL Studio product even more robust. Again, this alternative software are available at a la carte from the Image Line website and are not included in any of the FL Studio for Mac bundles.
Regarding third-party software, Image-Line has created an extensive links page with resources that include a Knowledge Base, a FL Studio Help Page, YouTube Videos, a Song Exchange, and content libraries. Find topics like Sample Fusion, where you can download a vast number of free samples, FPC kits, and FL Keys libraries, and you will also enjoy links to recognized partners which include the following:
- KVR, a site for plugin reviews, news, and links to plugins
- ASIO4ALL - a site offering 3rd-party device drivers for device troubleshooting.
- The Freesound Project - one of the world’s largest databases containing Creative Commons licensed sounds.
- LibriVox - a site full of public domain recordings and modulations.
Please note, though, that in order access many of these resources, you must first create an account here. Upon successful login, you can read posts, download files, access the knowledge base and even post in the forum.
FL Studio for Mac Wrap-up
After hearing about the history, the cross-compatibility, the added value, the resources, and the intuitive, user-friendly design, you might still be on the fence about FL Studio, and, to be fair, there are competitors out there.
However, consider that FL Studio also offers mobile versions of their software for editing on the go on your iPad or Android device. And the mobile version doesn’t skimp on features, either. You can use high-quality synthesizers and samples, the Step Sequencer, for fast percussion programming, and Touch Controllers with configurable virtual piano-keyboard and drum pads.
Plus, you will get all of the MIDI controls, the ability to live record sound, and a high-performance audio engine with a mixer and effects, like Auto Ducker, Piano Roll, Chorus, Limiter, Compressor, Distortion, Equalizer, Reverb, Flanger, and more.
Moreover, you’ll be able to export formats like WAV, MP3, and AAC, as well as sync to compatible devices and share with variously sized screens. So what are you waiting for? Go ahead and download FL studio for Mac today.
When you are starting out, there are a lot of things to learn. Like how to record with a mic in FL Studio.
When you are new to the process it can seem overwhelming. But it doesn’t have to feel intimidating or overwhelming.
In this post I’ll cover the basics about how to set up and record, from a microphone in FL Studio.
It may seem complicated at first.
But I promise once you have done it a couple of times, it’ll feel like second nature.
Let’s get to it.
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Basic Steps to setup your mic and interface
We’ll cover the components you need, how to set everything up the first time, and how to start recording.
I’m going to give you two options you can use for recording.
You can pick which method works best for your workflow.
Here are the pieces of audio gear you are going to need to follow along with this post:
- A Microphone
- An Audio Interface
- A Microphone cable
- A purchased copy of FL Studio Producer or Signature Edition.
- Laptop or Computer
- A pair of headphones
*Note if you are using a USB Microphone to record, the process is a little bit different.
Let’s get back to this example.
We’re going to do a couple of things to make recording happen:
- Setup the gear we need
- Open FL Studio
- Save the project
- Configure the audio interface
- ASIO Device
- Buffer Size
- Set the location to record audio to
- Setup the mixer track
- Set up the transport controls
- Record audio
- Option to record from playlist
- Option to record with Edison
- Advanced options
- Loop recording
- Headphone mix
STEP 1 – Setup the Gear
Plug the audio interface into the computer.
Audio interfaces come in a variety of connections.
So plug into the correct port (USB, Firewire, or Thunderbolt).
Now plug the microphone cable into the mic.
Make sure that the Phantom power button is not on on your audio interface.
And then plug the other end into your audio interface.
If the microphone needs phantom power (+48V), then push the +48V button.
Generally, condenser mics need phantom power. Dynamic mics do not.
Having phantom power on when you plug the mic into the audio interface can cause damage to your microphone.
So we want to keep that microphone working well for a long time.
Open up FL Studio
Now let’s open up FL Studio.
I’m currently running version 20 of FL Studio. Which as of 2019, is the latest version.
It looks this when you open it up …
Save the Project
First thing I like to do is to save the project.
It may seem a little weird to save a song before we’ve started.
But it’s just to help prepare where we are going to record things.
FL Studio calls the files you save projects, but really it’s a song.
Hit CTRL + S on your keyboard.
This will bring up a dialog window that lets you choose where you want to save the project.
So name the song what you want to. And then choose where you want to save it on your computer.
And finally press the save button.
Setting up the Audio Interface
Let’s get everything setup to record from our mic.
To get to the settings window in FL Studio, press F10 on your keyboard.
This will bring up a dialog box that has a couple tabs across the top like Midi, Audio, General and File.
This is the settings window in FL Studio.
You’re going to click on the Audio tab.
And you should see a section called input/output.
So underneath is the device drop down menu.
You want to look for your device (audio interface).
There should be some options at the top that are called direct sound devices.
And underneath of that there should be some called ASIO devices.
We want to look at the drop down menu of ASIO devices.
ASIO Settings
So from the ASIO devices menu select the driver for your audio interface.
The name of the driver might not be exactly the name of your audio interface.
I am working off of a Presonus AudioBox iTwo audio interface in this example.
And in my case the ASIO device is called AudioBox ASIO Driver.
So I select that as my ASIO Device.
And then we need to set up the buffer.
Buffer Settings
Below the device drop down menu you’ll see another box that says buffer length.
I’m not going to go into a lot of detail about this. Omnisphere crack fl studio 11.
But for recording, you want the buffer setting as low as you can get it, without it starting to clip, crackle, or pop.
This will prevent you from hearing a delay when you go to record your audio. It will also make sure that you get a clean sound from your interface.
In my case I’m selecting a buffer length of about 6-8 milliseconds. For me, if I try to go lower than that I start to get some crackle in my recordings.
You will be able to hear pops and crackles in your recording if you have it set too low.
You can see in this menu if you have had underruns.
So now we have the audio interface setup.
Now FL Studio can receive the input from the audio interface.
So let’s choose where we are going to save our recorded files.
Choose where to save the audio files
While we still have the Setting Window open let’s do one more thing.
We’re going to go over to the Project tab.
You should see a box beneath that that says data folder.
This lets you pick the folder on your computer that you want to save the recorded audio to.
Click on the folder icon and select where you want the data to be stored.
And now we’ll move on to setting up the mixer track.
Setting up the mixer track
This is where we set up the microphone input from the mixer track.
This will get the input from the microphone and the audio interface into a mixer track in FL Studio.
The first thing that we’re going to need to do is set up your microphone in a mixer Channel.
Press F9 on your keyboard and that will bring up the mixer window.
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You should see a whole bunch of vertical bars, They will be titled Insert 1, Insert 2, and so on.
These are all mixer tracks for the project that you’re working on.
Let’s pick Insert 4 for this example.
When you click on it you’ll see a green box around it. And the fader will turn green at the bottom.
If you go to the right side of the mixer window you’ll see another box. In that box you’ll see Slot 1, Slot 2, and so on.
These are your effects slots that you can put on an individual mixer Channel.
But we’re going to be paying attention to the drop-down menu that’s at the top. It has an arrow pointing into a box. That is where you are going to select the input that you connected your to.
When you look at the drop-down menu you should see options that have your audio interface name and then stereo and mono track options.
Since we’re recording one microphone I’m going to assume that it’s a mono source. Because most mics are mono sources unless you have a stereo microphone.
So I select mic input one. Because that’s where I plugged in my microphone.
As you talk into the microphone you should see the bars on the insert for channel moving up and down. This means that you’re getting signal into the insert Channel.
Which means that you set it up right. Woohoo!
Now onto the transport controls.
Setting up transport controls
Up at the top of the FL Studio program you’ll see some transport controls.
These are the play button, the stop button and record button.
Right click on the record button and you should see some options.
It should have a box that says recording filter. And underneath of that with options to check automation, notes, audio, and clips.
Since we are recording audio we want to make sure that the audio option is checked by right-clicking.
Next to the play button there is a button that says pat on the top and song on the bottom.
Make sure that the song button is highlighted. Because that will allow us to record directly to the playlist. If it’s not selected, press the song button now.
Now you should see a green arrow show up in your playlist window and the song button should be highlighted in green.
I also like to set up a count in before it starts recording.
This option gives you a four count click before the recording starts. Which is helpful.
Press CTRL + P to turn this option on.
Alright, you’ve finished all the setup.
Now it’s time to do some recording.
Record Audio
What I like about FL Studio is that there are several different ways of doing everything.
So there are a couple different options for recording audio:
- Recording directly into the playlist
- Recording through Edison
Before you start recording, make sure to plug in your headphones.
You don’t want the audio from the song to be bleeding into your mic.
You’ll get some weird sounds and feedback from doing that.
We’ll cover recording into the playlist first, since that is the most common.
Recording in the playlist in FL Studio
Open up the Mixer window by pressing F9.
Go to Insert 4 where we set up the mic.
At the bottom of the fader there is a track arm button.
Press that so it turns red.
You can also right click on the arm track button to bring up a window.
You could save the audio file to a different location if you want. And you can give the file whatever name you choose.
Open up the playlist window by pressing F5.
Click a spot on the playlist where you would want to start your recording.
I like to choose a spot a little before so it give me more time.
Now click on the record button in the transport bar, and wait for the count in.
Then start recording audio.
Once you are finished. Press Stop in the transport controls, or press the Space bar.
And that’s it. You’ve learned how to record a mic in FL Studio.
But I’ll show you another way to do it as well.
Recording a mic in Edison in FL Studio
Let’s get back to the mixer window.
Press F9.
Then go to Insert 4.
Go to the right side where the Slots are.
Click on the down arrow in Slot 1.
A window will come up that you will show you all the available plugins.
Look for the miscellaneous section and you should see Edison.
Pick Edison and a window should pop up.
To the right of the record button is a drop down menu.
Select On Play. And then press the record button.
Nothing will happen at this point, so don’t freak out.
This option just arms Edison to record.
Then go to your playlist window.
Click where in the song you want to start recording.
I like to move the marker to a little bit before that.
It gives you a little extra time before it starts the part you want to record.
When you are ready hit the play button.
This will start the recording in Edison.
When you are done, press the Stop on Edison.
And then you can Press stop on the Transport Controls in the Playlist.
There’s a button in the top right side of Edison.
Click that and then drag what you recorded into the playlist where you set your marker to start.
Everything will be lined up.
And that’s all you have to do to record audio in Edison.
BONUS TIPS – ADVANCED RECORDING OPTIONS
Now we’re getting into the extra credit section. You don’t have to do this.
But this is a way to take your mic recording skills to the next level.
Multiple Takes
One of the reasons that I like using Edison to record is the multiple takes option.
So as I’m putting together a song, I can highlight a certain section I want to record.
Let’s take the chorus for instance.
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I can go the Playlist window by pressing F5.
I right click and drag around the section of the song I want to record.
Open up Edison on the Mixer Track, with the On Play option selected.
Arm Edison to record by pressing the record button.
Now when I press Play on the transport controls it will record.
It will keep recording as many takes of that section as you want.
I could do 3-5 takes on that one part.
Stop Edison when you are done. And stop the song in the transport controls.
Now in Edison you should see multiple takes.
I can select one of those takes by double-clicking on the orange marker at the front.
Then I can drag that take into the playlist. Using the drag to playlist option on Edison. (The button that’s highlighted in blue below)
I could drag all of them in individually if wanted.
Then I could create vocal comps of the best of those takes. But that’s a different subject.
Separate Mix
Another option you can try is to set up a headphone mix for your vocalist.
Each track in the mixer window is routed by default to the Master Fader.
You can see this when you click on any of the Insert tracks. It’s the neon green line that goes to the Master Fader.
You can change the default routing of a track if you want, though.
So let’s go back to Insert 4, where we set up our mic.
Now right click on the arrow at the bottom of Insert 5. You’ll see an option box come up.
It looks like this.
Now we’ll select the option that says route to this track only.
This is going to send the audio from Insert 4 to Insert 5 only.
So we’ve set up a new signal path for Insert 4.
It used to be that Insert 4 went directly to the Master Fader.
Now Insert 4 goes to Insert 5, and then to the Master Fader.
So we’re going to set up effects on Insert 5. And that will go into the Master Fader.
So that’s what you’ll hear in the headphones.
But, we will record on Insert 4, where there will be no effects.
So we’ll have a dry signal that we can edit and add effects to later.
So click on Insert 5.
Now go the Slots on the right side of the Mixer Window.
In Slot 1, let’s pick Fruity Delay 2.
In Slot 2, let’s pick Fruity Reeverb 2.
So if you sing into the mic. You’ll hear the effects.
But, if you record the vocals from Insert 4, there won’t be any effects.
This gives you the opportunity to edit and add different effects later in your mix.
So there you have it.
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You’ve learned how to record with a mic in FL Studio. And I’ve given you some bonus tips on how to record multiple takes. And even set up a separate headphone mix for a vocalist.
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I hope you enjoyed it.